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R4, C3, R2, and R3 control the gain and frequencies getting boosted and clipped in a traditional “non-inverting” method of opamp circuit.R3 is labeled as a gain control, however you’ll notice that it changes the tonality depending on its setting.In its minimum gain setting it is boosting and clipping almost all frequencies (3.4hz and higher) though it has much less gain.This is why it sounds muddy and undefined when the the gain is lower and why it thins out when you turn the gain up.The majority of decisions are given instantly, so you could get your new gear sooner than you thought!Representative Example To help you understand how our finance options work, the examples below are based on a total order value of £50: How to Apply Applying for finance couldn't be easier - if your order totals £50 or more, simply proceed through the checkout as normal, then select Pay by Klarna Finance on the payment page, then click the orange PLACE ORDER USING FINANCE button.Since then, there have been many, many different versions of this type of circuit.

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Turning up the Distortion control increases the amount of distortion and at the same time cuts some bass from the signal.This is because it is changing the frequency response of the opamp at the same time.With the gain control all the way up it only clips frequencies 723hz and higher, though it is at max gain.Thom Yorke of Radiohead has included the Distortion for many of his signature distortion sounds, using a variety of guitars to achieve various tonal options.Rowland S Howard (The Birthday Party/These Immortal Souls/Crime & the City Solution/Solo albums) also used this pedal across his career.

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